By
Curt Wiser
(WRITER/DIRECTOR
OF CAM-GIRL AND AUTHOR OF THE NOVEL BOX CUTTER KILLER)
Every
story is about conflict and the obstacles the main character must
overcome. The biggest hurdle for an un-produced screenwriter is
fighting past the gauntlet of industry people who never hesitate to
say “NO UNSOLICETED SCRIPTS.”
Sometimes
life can imitate art in profound and unfortunate ways. First you
should understand the reality of why agencies and companies have this
policy. It’s because of the threat of legal action as soon as they
read your script and might have a script in pre-production with any
similarities. The second reason is that then have rooms in their
building with scripts stacked from the floor to ceiling that they
want to read. There is simply way too much material out there, over
50,000 scripts are registered with the WGA each year.
So
how do you get your best spec script read? First I suggest writing
more than one script because I’m sure you will find that you get
better each time. Once you have the best example of your work you
should focus on writing the strongest query letter that could ever be
written for your spec. This is how you become solicited are even
better sign with an agent or manager to represent you.
The
hard fact is the next blockbuster could be sitting on an un-produced
writer’s shelf and never be read by anyone other than their Mother
because they never perfected the art of writing the perfect query
letter.
These
are the most important criteria for writing your query.
-
GREETING: Right from the beginning this could decide if they read
another word of your letter and you haven’t even told them the
title yet.
Dear
Sir, Mr. Hollywood Producer or Miss. Big shot agent will not cut it.
You need the persons name that the e-mail will go to and you need to
make sure the name is spelled correctly. If it’s an androgynous
name like Alex or Miko make sure you find out if it’s a Mr. Or Miss
by either calling the place or through IMDB Pro. (If you don’t have
IMDB Pro access get it. That service is worth every penny.)
-
LOG LINE: This is your “Elevator Pitch,” it is one sentence
that quickly tells the reader all of the following about your story.
Genre, Title, Hook, Who the main character is, and What conflict the
main character must face and overcome.
Sounds
like a lot to cram into one sentence doesn’t it? Often the hook,
the thing that intrigues the reader so they want to know more about
the story is the same as the conflict. Or it is a brilliant title
that leads the reader to picture the whole movie in their head.
Take
Snakes On A Plane for instance, and to think that the studio
New Line Cinema was reported to have tried to change that title.
According to screenwriter John Heffernan the original title stuck
because star Samuel Jackson fought the studio to keep it.
Here
is an example, it’s the log line that got my spec script Cam-Girl
(aka) Web-Cam read and became my first written and directed by
credit.
Cam-Girl
is a thriller about Gessica, a
single mother who works as a web cam stripper and is pushed to the
limit when held hostage by an unknown gunman.
See,
one sentence and it’s all there. The producer who reads that
thinks okay a stripper and violence, that’s marketable (If said
producer does not object to nudity.) Then they read she is a single
mother. She lives a double life. That is interesting. And she is
held hostage by an known gunman. There’s your conflict. The
readers mind races with the possibilities of where that story goes.
That
log line also makes it clear from the description that this movie
could be made on a reasonably low budget and ultimately it was. It
all starts with your log line. You can test different ones out on
your friends until you know which will grab them and not let go. It
is not that uncommon that the log line sounds better than the movie
it becomes. This is because creativity has no limits but a final
production is full of compromises and limitations.
-
DETAIL:
Next
in your query letter is often a small paragraph that adds to the
vision of the story that your log line has left in the reader’s
mind. Do you have a really original setting for your story? If so
describe it here. Is your screenplay based on a true story or
actually happened to you? Mention that, it is often a big selling
point because it gives them an angle on how to market them movie.
Is
there a scene that is just so good that it will most likely create
the visual for the poster? Sum up that scene in a few well written
sentences that fits the tone of the scene.
-
BIO or THE BIG CONNECTION:
Lastly
I suggest you have one last very short paragraph that says something
about you or why your spec is one the reader will respond to. This
should seal the deal for you as a screenwriter and make them want to
read your work.
Did
you have any script that was sold or optioned? Was any of your
written work published? Did you study screenwriting at a university
worth noting, like NYU, UCLA or USC?
Here
is the key, the most important element for your query. The number
one thing that could set your query letter apart from the others is
some connection, any connection between you and the person you’re
sending the query to.
You
should always do your research first because of this. Maybe you both
went to the same college, you could have a mutual friend of a friend
or it could be that you both have an affinity for water polo. As
long as it’s true, put it in your letter. This proves to the
reader that the letter was personally meant for them. It also shows
that you took the time to learn that about them. They will think you
must take your writing seriously. I’ll give this young writer a
shot and read their script.
If
this connection you have with the reader is significant, open with it
instead of putting it at the end of your query.
-
CLOSING:
For
the closing politely end your letter in a way that also states why
you are asking of this person. I recommend something like:
I
would like to submit my spec Cam-Girl for your consideration.
Thank
you for your time,
-
YOUR NAME and E-MAIL ADDRESS
[And
thank you for your time dear reader. Best wishes on your queries.]
- Curt Wiser is the author of the suspense novel
Box Cutter Killer:
Buy Box Cutter Killer for the Nook
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