Wednesday, August 24, 2016

MOVIE REVIEW: THE LOBSTER


The Lobster (2015) 
Now on DVD, Blu-Ray and VOD
Distributor: A24  
Cast includes: Colin Farrell, Rachel Weisz, John C. Reilly, Ben Whishaw, Jessica Barden


     The science of storytelling involves taking people on a journey that is relatable in their own lives but is also unique, unlike anything we have seen before.  The Lobster is a perfect example of that.  We all know what it is like to be single at some point, but we do not live in a world where by law newly single adults are grouped together and have 45 days to find a new mate or else you will be turned into an animal of your choice.  That would be crazy right?

     This is the imaginative premise of the Dark Comedy The Lobster.  Colin Farrell as David is traded in for a new man by his wife and is bused out to a luxury resort full of other singles.  This is no ordinary hotel however, it had the rules and regularity of a prison.  They cannot leave, no masturbation is allowed, you cannot smoke because that will make you less favorable to kiss and it will keep you in shape for the hunt. Now I – Oh right, the hunt.  Every so often they send the singles out into the woods armed with tranquilizer guns to hunt people they call the loners.  If they capture a loner the authorities give the hunter a few extra days to find a mate.  Who are these loners?  They are a group of people who escaped from the hotel and are committed to staying single.  This clan has a leader and their own set of rules, any sexual interaction is brutally punished.  For recreation the loners are allowed to listen to electronic/techno music.  We see them spread out in a field wearing headphones and dancing to the beat of their own music.  The irony here is too brilliant to ignore, these people are banding together to protect their right to be alone.

     As crazy as it seams the rules of the fictitious culture portrayed in The Lobster makes sense, due mostly to the realistic world the filmmakers built around this one of a kind story.  The Lobster was Directed by YorgosLanthimos and written by Yorgos and Efthimis Filippou, the same Greek filmmakers who brought us Dogtooth (2009) which was nominated for an Academy Award for best foreign language film.  This well drawn story is steeped in metaphor about what it is like to be single and thrown into the dating pool.  I will not spoil it for you with details but some of the most surprising elements from the film show the lengths these men go through to start a relationship and what the women do while they are being courted.

     When you stop to think about it, society does look at single people differently.  At ladies' night at dance clubs, women drink free for a reason.  We are put in a different tax bracket if you are married, and rings are worn as a symbol to everyone that you are not alone in the world.  There are couples' retreats and singles' retreats, but never both at the same time.  I have noticed that times I been out in public with a girlfriend or even a woman I am friends with, people often start up conversations with us.  When I am out there alone people rarely strike up a conversation with me, as if it was contagious.  The hook of The Lobster instantly caught my attention because for years a question I like to ask when I'm getting to know people is if reincarnation is real, what animal would you be?  I would be a Flying Squirrel, because I want the ability to fly (I know they don't really fly but glide, but still) and I have always been fascinated watching squirrels scurry up a tree.

                                If I had to pick: I'd be a Flying Squirrel

     The final question, is The Lobster a good movie to watch with your date?  I have to say it depends on how cool your significant other is, because The Lobster is not romantic, it is a fun, twisted Dark Comedy.  If on date night you have watched movies like Eternal Sunshine of a SpotlessMind, Her, True Romance or The One I Love, then you're good to go.  Whether you see it alone or snuggled up with a loved one, if you like bold, original movies, I highly recommend The Lobster.     

9 out of 10, because there was one tiny error of logic in the movie and nobody is perfect.  


- Curt Wiser is the Writer/Director of the Thriller Cam-Girl, now available on DVD from Amazon, BestBuy, and other major retailers.


   

Monday, August 1, 2016

SYS Podcast Episode 135: Curt Wiser Writer/Director of "Cam-Girl"

     Hello good people.  I recently had the pleasure of being interviewed by Screenwriter and Director Ashley Scott Meyers for his Selling Your Screenplay Podcast.  Leading up to the interview I had prepared a lot of things I wanted to say, this way there were no “Um's” or awkward pauses in the interview (Thank you public speaking college course.)  Many of these things were said, but time flew by and when the time came to say our goodbyes, I knew I had plenty more to say.

     As writers we get to anguish over every word until we say what exactly is intended.  That is one of the most appealing elements of being a writer, you have full control over every word, each action of your constructed reality.  The kind of circumstance we wish could be found in everyday life.  Well this is my chance to do that with this interview, to elaborate on my thoughts with annotated notes you can read below this video:






Feel free to listen to this interview while you read the notes that go along with the corresponding time code of the video.

[19:30] Before my first feature Cam-Girl was financed, I had much more than a web site, business entity and concept art prepared for it.  I also had a business plan, budget, storyboards, a shot list and I even made some of the props that were used in the final movie.  If it sounds like a ton of work, I can assure you it is, but it is necessary.  You have to stand out from the pack if you want your script produced and the way to do that is to have much more than just a great script.  Everyone has a script, so you need all of these sales tools to let potential producers see that there is a movie here and to show that you have the ambition to get it done.

[20:20] The other Executive Producer that Jay Aubrey connected me to is Odorico Mendes.  He has over a decade of filmmaking and commercial production experience behind him.  Cam-Girl would not have been possible without both of them, I cannot thank them enough for giving me this opportunity.

[21:23] This Roger Corman movie Jay Aubrey directed, Looking for Trouble is a family film about a child who runs away from home with the aid of an escaped circus elephant.  Here is the trailer, enjoy!

[25:20] The screenplay Tragic Kingdom was Co-Written by Curtis Norton and I.  Curtis went on to become our editor on Cam-Girl.  Here is a press release that lists Tragic Kingdom as a semi-finalist in the 2008 Bluecat Screenwriting Competition

[13:21] The book How I made 100 Moviesin Hollywood and never lost a Dime By Roger Corman is a must read for low budget filmmakers.  The strategies he used as far back as the 50's can still be applied to film production today.  Here is a list of links to many other books on writing/filmmaking that I recommend:



TalesFrom the Script Peter Hanson, Paul Robert Herman [ALSO A DOCUMENTARY]



Writing Movies for Fun and Profit Thomas Lennon, Robert Ben Garant


The Gurrilla Filmmaker's Handbook Genevieve Jolliffe, Chris Jones


Independent Ed  Edward Burns


Directing Actors Judith Weston

Clearance and Copyright Michael C. Donaldson






[15:40] Besides Erin Nicole Cline, our male lead actor Joe Coffey was also a Florida based actor who has moved on to a promising career.  He is widely known as Horace Dodge from the Dodge Brothers series of car commercials.

                                            Joe Coffey as Horace Dodge

[22:32] How I met the other people in the cast and crew of Cam-Girl:

Curtis Norton (Editor) and I met years prior in a screenwriting course at the University of Central Florida.

Joe Coffey (Lead Actor) responded to an open casting call online.

Erin Nicole Cline (Lead Actress) worked in Entertainment at the same theme park I did.  Erin was the first person cast and we are grateful for that.

Tara Leia (Actress) is a friend of mine who also worked at the same theme park I did. (See a pattern forming here?)

Aurelia Riley (Actress) was referred to us by our make up artist Sarah Okun. Aurelia brought a tremendous amount of energy to the set and her role.

The rest of the cast came from general casting calls.

[18:30] 30 Night Stand is my latest Romantic Comedy script which is in development, the actresses AnnikaMarks (The Sessions) and Cerina Vincent (Cabin Fever 2002) are attached.


[29:20] Here is our official site (www.webcamthefilm.com) which features info about the movie, release info and a store with cool new merchandise including shirts designed for the movie.

Here are our official media links:
Official Twitter
Official Facebook
Cam-Girl on YouTube
Cam-Girl on Vimeo

[16:00] By taking the time to outline the script, I knew that this structure would create an entertaining story and how all the scenes would relate to each other.  That is how you can be sure that the key elements of your script are there, set ups/pay offs, subtext, foreshadowing, call backs, symbolism and metaphor.

[11:35] I mentioned writing a contained (limited location) script as a way to break in.  Many filmmakers have proved this is a possible career path.  Big names like ChristopherNolan (Following), Quentin Tarantino (Reservoir Dogs), Darren Aronofsky (Pi), Martin Scorsese (Who's ThatKnocking at my Door?Frances Ford Coppola (Dementia 13) and screenwriter Chris Sparling who’s break through script Buried starred Mr. Deadpool himself, Ryan Reynolds as the only on screen character who is buried alive in a coffin.  His follow up script ATM, is another great example of how to tell a compelling story that takes place mostly in one location. [ATM TRAILER]

Chris Sparling was interviewed twice on the Selling Your Screenplay Podcast. I found these interviews to be helpful and inspiring, you can listen to them here:

[14:45] Besides the book Candy Girl by Diablo Cody, two movies in particular were a major inspirations for me.  They are Hard Candy and Phone Booth. [CLICK THE TITLES FOR TRAILERS]

A screenwriter should also read great scripts to learn what is expected of them if they want to have a chance.  I have read the scripts for Hard CandyNetworkThe Usual SuspectsAlienTaxi Driver and Inception.  Read a popular script in the genre that you are preparing to write.

[31:27] I really have been listening to the Selling Your Screenplay Podcast.  An indie filmmaker should take advantage of every valuable resource they can find.  

Here are some other great podcast on Writing/Filmmaking:

On The Page
The Movie Crypt
The Dave Bullis Podcast
Indie Film Hustle
Independent Film Academy
No Film School Podcast
The Q and A with Jeff Goldsmith
Nerdist Writer's Panel
Chicks Who Script
Blacklist Table Reads
Filmmaker's Focus
Creative Writing Career
Scripts & Scribes 
Scriptnotes